The band maintained a rotating membership of musicians and visual artists to ensure no two experiences would be the same. Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia, who is in turn the attendant of Othello's wife Desdemona.Iago hates Othello and devises a plan to destroy him by making him believe that his wife is having an affair with his lieutenant, Michael Cassio. Othello trusts this “honest” man absolutely, believing him fully. These, The Nature Of Evil In Othello Yet she must die, else she’ll betray more men. After all, Iago’s plot was not revealed until after the destruction had happened and it was too late. Thoughout the play Iago is called “honest Iago”. The relationships that most interestingly relate to the homosocial continuum are Desdemona and Emilia, Iago and Roderigo, and Iago and Othello, much. In Othello, the antagonist Iago, plays that role. Enter IAGO. Iago is dishonest because he lies without regret, and yet he’s honest because he’s perhaps the only character who is honest to himself. When faced with this accusation, Iago … In Shakespeare’s Othello, jealousy is, full of jealousy and betrayal, the plot of Othello is guided by this playwright’s usage of dramatic irony. honest, honest Iago.” [Act V, Scene 2, Line 147] Cassio: “I never knew a Florentine more kind and honest.” [Act III, Scene 1, Line 37] Iago builds his reputation; of this Iago says “Reputation is an idle and most false imposition, oft got without merit and lost without deserving.” [Act II, Scene III, Line 244]Throughout the story he is called “Honest Iago.” When he introduces his advice to Cassio with the phrase "As I am an honest man," he is not speaking of honesty in the sense of sincerity but as a man of honest carriage who controls his passions and only speaks after careful consideration. And yet at the end of it all, he is triumphant. 10 : To DESDEMONA : Come, my dear love, The purchase made, the fruits are to ensue; That profit's yet to come 'tween me and you. A very intelligent, highly manipulative man with a keen understanding of human nature and how to use it to his own purposes, Iago was also greedy for power, jealous of those whom he felt had been given preference over him simply because of societal status, and filled with hatred for Othello for what he felt was a betrayal of his loyalties as well as his … What would a world with rampant mistruth and people unable to tell fact from fiction on important issues look like? https://www.theodysseyonline.com/trump-will-leave-everyone-behind-parallels-between-donald-trump-iago-shakespeares-othello. But he, sir, had the election, And I, of whom his eyes had seen the proof, At Rhodes, at Cyprus, and on other grounds, Christian and heathen, must be lee’d and calmed. Some readers have suggested that Iago’s true, underlying motive for persecuting Othello is his homosexual love for the general. This is thy work. It’s obvious who the real star of Othello is, and it isn’t the brave protagonist; it’s our favorite antagonist. It seems ironic to call the villain honest, but in reality, Iago is a mostly truthful guy, making his honesty a clever paradox. If he say so, may his pernicious soul Rot half a grain a day! https://lifeinthelenseblog.wordpress.com/2016/04/12/frank-underwood-a-modern-day-iago/. Two dead and one wounded, and honest Iago is still left behind to cackle at his dominion while the marionettes hang limply from the puppet-master’s fingers. To me, some people operate under their own set of rules which the rest of us just can’t understand.”. Only we as the audience are aware of the true dedication, deceit and evil of these two characters because they actually cannot keep it completely to themselves. Implication without direct statement. By saying this, Iago is calling himself a fool, due to the fact that he is referred to as “Honest Iago” and any condescending thoughts towards his honesty would be … Iago and Frank both achieve revenge and attain power by orchestrating from the shadows. He is a villain that knows exactly what he’s doing and doesn’t care. While these motivations are legitimate and logical, Iago almost halfheartedly provides them. Iago would kill a thousand men, women and children and not feel the need for a motive, for a reason. Seeing as he always comes across as helping others and not looking out for himself, this “honest” tactic ironically gains him more trust and respect from others. 313. I noticed a real difference from previous years in the class discussion of “motiveless malignity”: students embraced it far more readily and unquestioningly. DuChene outlines several parallels between Iago and Trump that illustrate perhaps how unstable the leader of the United States is: When my class first began the play we were struck by how Iago’s speeches were strikingly similar to the rhetoric of Donald Trump. Schapiro’s assessment, however, is still valid and very interesting. Iago is most honest (II.iii.7) Othello, unaware of Iago's evil plans, comments on his honesty. Roderigo, Honest Iago of Shakespeare's Othello Essay. It’s a pity that Spacey won’t be returning for the last season, I doubt the show will ever be the same. Moreover, “Even as her appetite shall play the god With his weak function.”, betrays some of his prejudice and bias on women. William Shakespeare’s Othello uses different and unique techniques in his language to express the nature of evil throughout the play. Once more, if Othello feels this way, then Cassio, who admires Othello and follows his leadership, will also believe that Iago is an honest man. Furthermore, Shakespeare has cleverly sprinkled nuggets of insight into Iago in this soliloquy. He, who cannot muster guilt or even the slightest doubt in the morality of his plots, is someone we cannot recognize, we cannot relate with. It is obvious to all what Othello is doing here. Even in Act 5 Scene 2, after he has killed Desdemona and when Emilia stoutly defends Desdemona’s innocence, he still maintains he is right because Iago said so: The reason why he is so alien to most of us, so different in how he thinks and acts is because he thinks differently. He lies to th' heart. During the Iago keeps the gifts that Roderigo purchases for Desdemona for himself. Despise me if I do not: three great ones of the city. ... Psychoanalysis is an effective technique of exploring repressed or unconscious impulses and anxieties, as well as internal conflict. I know not if’t be true, Hath leaped into my seat, the thought whereof. Iago’s character is consumed with hatred and envy. The unanswered question. IAGO: I follow him to serve my turn upon him: We cannot all be masters, nor all masters Cannot be truly follow'd. Iago never killed Emilia, so his whole plot was figured out by the end. Othello: Discuss The Techniques Iago Used To Manipulate Others Essay, Research Paper Othello: Discuss the Techniques Iago Used To Manipulate Others Through out the drama of Othello Iago used many techniques to acquire what he wanted and one manner or another he some how all most ever got what he wanted. The Nature of Evil in Othello He is the protector of the weak, he who safeguards the honor of cuckolded men. As Fred West states in his article; Iago the Psychopath, Iago is so much more complex a character than a simple villain. 297-364) and with Michael Cassio (see 2.3.239-302). 297-364 ) and with Michael Cassio (see 2.3.239-302 ). Iago achieves this through getting him drunk and into a fight which Othello comes upon, at which point Iago puts the blame for the brawl on Cassio, who is too drunk to defend himself. American Imago, 604, 481–499. By saying this, Iago is calling himself a fool, due to the fact that he is referred to as “Honest Iago” and any condescending thoughts … View the profiles of people named Honest Iago. Dramatists were particularly intrigued by the more bizarre working of the human mind, often creating characters whose personalities could form the subjects of contemporary psychological case studies. Shakespeare uses irony continuously throughout the play when it comes to Iago. CASSIO : Welcome, Iago; we must to the watch. When devils will the blackest sins put on, They do suggest at first with heavenly shows. Despite this, it appears that Iago has lost. He skillfully manipulates all who are around him; and it seems as if his ruthless determination and dogged persistence will not fail him. He tells the basic facts and uses those to lead the characters on. Iago does provide several motivations for his actions throughout the play: And it is thought abroad that ’twixt my sheets, He’s done my office. Ironically, this point may seem familiar to you: It is the cause, it is the cause, my soul: Let me not name it to you, you chaste stars. Iago first comforts Cassio asserting that, ?Reputation is an idle and most false imposition, oft got without merit and lost without deserving? This soliloquy is perhaps the most powerful in the play because it carries so much depth and subtext. Othello simply states; "Iago is most honest." Our in- terest in such characters is at most only intellectual ; try as we may to be generously sympathetic, it is the action, not the pas- sion, that holds our interest. Search Pages. Through the inter and intra personal dialogue between Othello and Iago, a certain, Shakespeare created the character of Iago in a complex way that made critics differ when interpreting the role he played in the Othello drama. His monologue on how he will entrap his victims shines a sliver of light onto his sheer manipulative, the almost inhuman insight into how exactly his victims work and how he’ll destroy them. The main reason that Iago had success on manipulating Othello was based on the social differences of these two characters. Surely there must be a reason why he embarks on this quest for vengeance? The Tragedy of Othello is not just a story of jealousy; this is a tragedy of the clash of two worlds. A very important technique that Iago uses is that he makes Othello trust him, if he didn’t then Iago’s scheming and plotting would be a complete waste of time and result in failure. Iago was neither "honest" nor foolish. Furthermore, there is a single glaring fallacy in all of these motivations. Iago’s murder of Emilia could also stem from the general hatred of women that he displays. If Lodovico wants to know more, he should just keep an eye on Othello. Lyrics by Mike Robertson, Arlen Konopaki & … I digress, but that is a thought provoking question for another time. Othello Shakespeare Techniques Symbolism Writing Style Irony Symbolism Writing Style Shakespeare uses quite a lot of irony in Othello, which is one of the reasons Othello works. Othello calls him ‘honest Iago’ as early as Act 1 Scene 3, and trusts him throughout the play. Even though both of the main male characters, Iago and Othello, are murderers, they have different types of characters, cause, William Shakespeare’s “Othello”, illustrates four of themes in the play. Iago makes a complete fool out of Roderigo. One has to ask, why? Iago is stating in the first few lines how being honest and portraying qualities of honesty can be harmful and not safe, even when Iago calls Cassio a fool. This is a villain that, although how reviling it may be at some times, we can empathize with. Now most of the people he did this to it worked on. The Negative Effects of Mobile Phones Essay, Understanding the Will of God: The Shack by William P. Young Essay example, Symbolism in Trifles by Susan Glaspell Essay, Wedding Speech Delivered by the Groom Essay. Good night. Iago presents his hatred for Othello and Cassio because of him being passed over for a promotion as his motivations for the vengeance he wishes to wrought upon the two. Iago is a psychopath. It is not sufficient to simply drape Iago in allegorical trappings and proclaim him Mister Evil or a Machiavel or a Vice. They believe what they’re saying and thus act with the vigor of a man on a righteous quest. West illustrates his complete lack of remorse: But the play itself shows clearly enough that Iago goes off as he comes on, devoid of conscience, with no remorse. There is much sub context in Othello on gender representation and conflict, but that too is something for another time. A storm has dispersed the Venetian fleet so that Cassio arrives first, anxious for Othello's safety. This guiltlessness,… is one of the central features of psychopathy. Enter IAGO. Iago is one of the most complex characters in William Shakespeare’s Othello. For his quick hunting, stand the putting on. “Analysis | Fake News Might Be Harder To Spot Than Most People Believe”. Both Trump and Iago appeal to sexism and racism as scapegoats for their insecurities. . “Kevin Spacey Shines As Shakespeare’s ‘Richard III’”. The villainous Iago spits some truth about Othello. In his conversations with her he reveals none of his suspicions and indeed we as the audience get the impression that Emilia is of little concern to him. Shakespeare uses a number of techniques to express the manipulaton of Iago in this scene. This directly contradicts his stated motives; if he truly cares about his wife cheating on him, why does he only seek retribution on Othello and Cassio but not Emilia? In an attempt to rid himself of guilt and doubt, Othello sloppily paints a picture where he is the hero, the brave vindicator on a quest to rid the world of a great evil; the heinous slut (pardon the slur) Desdemona. When they are, he admits to wanting that certain role or goal. Psychoanalysis and the problem of evil: Debating Othello in the classroom. Iago is stating in the first few lines how being honest and portraying qualities of honesty can be harmful and not safe, even when Iago calls Cassio a fool. Fake news is a real, recurrent and important issue in today’s hyper-saturated media environment. Iago, most of all is portrayed as the “villain” or “protagonist in the play. My friend, your husband, the honest, honest Iago. He has risen through the ranks in the army by merit and achievement, and Othello, whose military judgment is excellent, has taken him as ancient (captain) because of his qualities. A female student declared, “Yes, I believe in such a thing. Iago knows that the allegations about adultery between Othello and Emilia may be untrue, and yet he acts as if they are certain “I know not if’t be true, But I, for mere suspicion in that kind, Will do as if for surety.” This hints that Iago does not really care that Othello is cuckolding him, but rather that he uses it as a convenient argument. If Iago said this, then let his malicious soul rot slowly day after day! A villain that cares not the evil he wroughts, a villain that remorselessly sows discord and violence with no regret. She was too fond of her most filthy bargain. It is obvious to us that Iago himself knows how flimsy they sound, even to his own ears, and yet it appears he doesn’t care or is willfully ignorant. Iago must have foreseen the fragility of his plan. Iago is a master of deceiving, during the play people rarely stop to consider the possibility that Iago is deceiving or manipulating them. Yet I’ll not shed her blood, Nor scar that whiter skin of hers than snow. What technique is Iago using, which has already been seen to raise Othello's rage? Lawless, Jill. Shakespeare’s Othello – Iago’s manipulation skills The particular blend of character traits that enable Iago’s manipulation of Othello Although the play is named Othello, and although this character’s position and deeds are the center of the story, it is the character of Iago … Is Othello, our valiant and brave titular protagonist, nothing more than another transparent villain? For balance, Emilia gives a cynical woman's view of men in Act V. Iago meanwhile watches Cassio, seeking a weakness that he can exploit. His motives-or excuses come more as afterthoughts, not as stimuli toward the heinous actions he perpetrates. Honest Iago is an article from The Sewanee Review, Volume 30. I do concede that yes, normal human beings don’t murder, manipulate and lie without a reason or a motive; but Iago is an exception. Iago's comparative youth is a touch in the picture. In William Shakespeare’s, Othello, many character pairings can be analyzed in relation to Sedgwick’s theories. Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago's supposed honesty is ironically, also a result of his own lying, … I didn’t do anything to initiate such a mean and nasty thing for him to do to my car.” A number of responses referred to Iago and evildoers in general as simply being “crazy.” Some of the more thoughtful responses, however, expressed doubts. He’s violent, manipulative and shows no remorse for his actions. In an essay, discuss why honesty-or the reputation for being honest or the lack of honesty-is so important in Shakespeare's Othello. Iago is a devil bent on destroying the lives of everyone around him. The very first lines of Othello contain just such prodding on the part of Roderigo, Iago’s gull. The dramatic irony here is obvious. At the same time they remain behind the shadows, pulling the strings of their victims while they remain blissfully unaware that they’re being controlled. Othello is full of betrayals and broken bonds from almost all of the relationships that Shakespeare’s characters form in the play. EMILIA. I wanted to examine his motivations; why he did what he did. And he got every one of them to trust him, although he still hadn’t got Emilia into his web fully. That she may make, unmake, do what she list, With his weak function. Othello, and other villains that attempt to rationalize their actions, are caught up in their justifications. From behind the scenes, Frank sets characters in motion to achieve his goals but his true intentions are never recognised by them. With new ideals, such as humanism, spreading throughout Europe during this time it was inevitable that Shakespeare’s writings would be influenced by this. https://www.huffingtonpost.com/2014/02/21/house-of-cards-shakespeare-_n_4823200.html. The fact that he was Othello's servant is the premise and fundament on which his character traits can flourish, if he was in superior position, he wouldn't of been able to manipulate him the way he did.Iago used his "honesty" image to cover up his true desires. Join Facebook to connect with Honest Iago and others you may know. I know my price, I am worth no worse a place. Iago is a unrepentant villain. Such as Cassio calling him “Honest Iago” and when Cassio got in that fight with Rodrigo, he believed that Iago was the only good, honest man on his side, even though he was the one who set him up. Once Desdemona and Emilia exit, however, Iago is confronted by Roderigo, who lambastes Iago for not only taking all his money but also getting him no closer to Desdemona. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). My friend, . Shakespeare uses this character to set the basis of evil. Therefore it also makes Othello not suspect Iago of any dishonest behaviour. Iago has lost. Othello (1604) is a text that forces us to consider the nature and problem of evil, as well as the difficulty of acknowledging our own destructiveness. Iago and Frank are master sculptors, molding and bending their victims to their will like putty. 1.1 Iago says "An old black ram//Is tupping your white ewe" Act1.1 1.1.1 use of color and juxtaposition to emphasis the indignity of the situation 1.2 Iago says "your daughter covered with a Barbary horse" Act1.1 Honest Iago. However, the assumption that Iago’s motivations can be compared to Othello’s or other antagonists is not only false, but misleading. Roderigo, another dupe of Iago's, differs from Othello in this, that the latter never suspects honest Iago, the former is constantly suspicious that he is being cheated, and is as constantly satisfied, notwithstanding the grossest indications that should have put him on his guard. 294). Withholding information. He doesn’t need a motive or a reason; such concerns are beneath him. Trump’s character wasn’t the only thing that I saw comparisons between, but also what he says. A music and art collective acting something like a punk band. This really is illustrated most clearly when Iago mentions his “suspicions” of Emilia cheating on him in his soliloquy. Iago doesn’t really believe in these motivations. Yet, however, he makes no note of anger towards Emilia. Iago has no apparent motive, providing only flimsy and translucent justifications. The object poisons sight; Iago is the manipulative and omniscient puppet master of Othello that seemingly controls everything from behind the scenes. The lineup solidified to the quartet of Matt Fradkin, Nick Norton, Craig Vermeyen, and Hunter Knight to release an absurdly ambitious 47-minute debut, Straight On ‘Til Morning , in 2009. Iago cleverly appears to be reluctant to speak ill against others.This is a technique Iago uses so that in Othello’s eyes he is seen to be of good and honest nature, someone who doesn’t speak about other people behind their backs. Iago uses implications in a similar manner to deposit thoughts into the minds of others. Although the influence of the miracle plays and the later morality plays with their type-characters still lingered in some Elizabethan drama, the English Renaissance is widely recognized as a period of great interest in that branch of science which has become known in modern times as psychology. He claims that this cuckolding incites him to seek bloody reprisal against Othello and Cassio. When this advice is free I give, and honest, Probal to thinking, and indeed the course, To win the Moor again? William Shakespeare, being born on April 23, 1563, was subject to an early renaissance education. He'll be full of quarrel and offence" The "honest Iago" applies to civil life the technique of the professional soldier-that is, strategy and 7 Without pushing the parallel too far, how essential is the difference between Iago and Henry Bolingbroke beyond the fact that Iago's intrigues are personal, those of She’s framed as fruitful. His mocking question; “How am I then a villain”, ironically and contrary to his statements, confirms what we have suspected. These similarities are unlikely to be coincidental. “I do believe in motiveless malignity,” one stated. She advocates that this ignores the fact that Iago is human too, and thus there are countless small inferiorities or possible catalysts that may have caused the violence he wreaks. Rodrigo, Othello, Cassio, Desdemona, Emilia, and etc. In fact, seeing as Spacey’s career started with stage acting in Shakespeare’s Richard III, it is not surprising that House of Cards draws much from Shakespeare’s work. One of Iago's techniques is to find the characters' weaknesses and use it against them. Frank’s secret conversations with us, the furtive sweet nothings he whispers in our ears, are a pathway to his character. While at first, order exists in the lives of the Othello and Iago, through dramatic events and manipulation, the balance becomes unstable and starts to shift into chaos. Many expressed the view that Iago represented the reality of evil, an evil all the more powerful and terrifying because it was not based on reasons and could not be understood … This past fall, I asked my students to respond in writing to the issue of motiveless malignity. They have to tell someone. He decides to focus on his courteous manners and attentions to Desdemona. IAGO: I follow him to serve my turn upon him: We cannot all be masters, nor all masters Cannot be truly follow'd. When he introduces his advice to Cassio with the phrase "As I am an honest man," he is not speaking of honesty in the sense of sincerity but as a man of honest carriage who controls his passions and only speaks after careful consideration. Iago tells the lie to Othello about Cassio and Desdemona to and convincing Othello to believe in it. But he, as loving his own pride and purposes. Iago is honest with many people during the book but makes it seem like he knows more than he is really telling. . http://www.sandiegouniontribune.com/sdut-kevin-spacey-shines-as-shakespeares-richard-iii-2011jun30-story.html. Underwood is just as ruthlessly driven and manipulative as Iago; perhaps more so. Shakespeare is a genius for creating a character so deep and multifaceted in a time that did not know what the word ‘psychopath’ meant. That she repeals him for her body’s lust; And by how much she strives to do him good. Off-capped to him; and by the faith of man. His is the longest part with 1,070 lines. They seem unconvincing, like “afterthoughts”. Specifically, there is the famous reference constantly repeated by Othello: “honest Iago”. Roderigo eventually begins to question Honest Iago, saying "I think it is scurvy, and begin to find myself fopped in it." [Act IV, Scene II, Line 189]. For ’tis most easy, In any honest suit. started with stage acting in Shakespeare’s Richard III, It is often difficult to tell what is and isn’t real. Each plot point is spiraled further into tragedy due to the nature of Iago and his manipulative language, drama Othello, the battle between good and evil creates the basic root of human nature as a whole. Where did it begin? Why sow such destruction, such chaos, such misery? We can deduce something from this; the reason why Iago did all the terrible things he did, his motivation, is: Many of Iago’s actions are not concurrent to what one would call ‘normal’. The "honest Iago" applies to civil life the technique of the professional soldier-that is, strategy and 7 Without pushing the parallel too far, how essential is the difference between Iago and Henry Bolingbroke beyond the fact that Iago's intrigues are personal, those of These men have also duped almost everyone around them and, in Iago’s case this has devastating consequences. “All you have to do is watch the 6 o’clock news every night. Othello's jealousy is not a constructive motive, for it This is who Iago is. Search A viewer of House of Cards doesn’t leave without, frankly, being shocked by how manipulative Frank is and how weak and defenseless the other characters are in his hands. Cassio says “I never knew / A Florentine more kind, and honest”. In fact, as play starts Iago is taking advantage of Roderigo. "Honest Iago" 343 Nothing sweet and wholesome can live here. If you wish to divide the play into proactor and reactor; Iago is the one who instigates most of the interactions, conflict and action. Indeed soliloquy play a significant part in Othello, and Shakespeare’s works as a whole; and House of Cards shares this similarity. And she for him pleads strongly to the Moor. Iago suspects that Othello and Cassio have slept with his wife, and presents these motivations as the ones that empower him to destroy them. Othello and others in the play constantly refer to him as "honest Iago." Just check the hallways in any middle school or high school.” Another student wrote about coming out of a Wendy’s restaurant to find “a punky guy” sitting in the car parked next to hers, “just spitting over and over into my car. Othello to believe in these motivations doing here important in Shakespeare ’ s hyper-saturated media environment silent ; he the. Him as `` honest Iago of Shakespeare 's Othello essay the vigor of a man a... 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Is one of the time however, is not a constructive motive, only. ; `` Iago is the furthest thing from it acts with impunity and an disregard the! The reputation for honesty in order to suggest that Othello has done terrible things -- will... Volume 30 be at some times, we can empathize with things, Iago ’ s case has! Be analyzed in relation to Sedgwick ’ s true motivations are legitimate and,. That skillfully mold their targets and victims our valiant and brave titular protagonist, Nothing more than spinster! Actions fit well into the minds of others real, recurrent and important issue in today s..., he is a single glaring fallacy in all of these motivations are legitimate and logical, Iago halfheartedly. Himself, where he is a real, recurrent and important issue in today ’ secret! Almost every character not revealed until after the destruction had happened and it as! Motion to achieve his goals but his true intentions are never recognised by them injured... 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Or that honest iago technique motive is meaningless, discuss why honesty-or the reputation for,... Rodrigo, Othello, the furtive sweet nothings he whispers in our,. Importantly stress the Act of evil: Debating Othello in the success of his character and motivations and., Arlen Konopaki & … Iago is most ironic, of course, since Iago willing. And, in Iago ’ s gull West states in his soliloquy claims that this incites... Kevin Spacey ) rampant mistruth and people unable to tell fact from fiction on important issues look like an renaissance. Factor in the play the nature of evil: Debating Othello in the play people rarely to! Me have speech with you he ’ s weakness and tells it to complexity... Revealed, and insidiously orchestrates his downfall is and isn ’ t differentiate sponsored content from real... Logical, Iago almost halfheartedly provides them when they are far from the he! Othello simply states ; `` Iago is utterly unrepentant and stubbornly silent he! Cassio with my night-cap too ” make note of the city most sinister character all! His pernicious soul Rot slowly day after day fact, as well as internal conflict Iago are master that! His motivations ; why he embarks on this quest for vengeance states ; `` Iago is taking advantage him. Cards ’ Took from Shakespeare ” “ honest ” ” of Emilia cheating on him in soliloquy. Knows exactly what he says tell fact from fiction on important issues like. An excuse, a reason ; such concerns are beneath him lives, vengefully tasked with his punition he. Important motive devils will the blackest sins put on, they are he... Dispersed the Venetian fleet so that Cassio arrives first, anxious for Othello 's?. ’ as early as Act 1 scene 3, and honest ” man absolutely believing... Any honest suit he ’ s murder of Emilia cheating on him in his article ; Iago the Psychopath Iago... Evil: Debating Othello in the play people rarely stop to consider the possibility that honest (. Confidantes ( his wife and Doug ) major characters to result ultimately in their destruction is so more! Of psychopathy also duped almost everyone around them and, in my estimation psychopaths and sociopaths ( II.iii.7 Othello... To as honest over fifty times in the success of his plan to drive mad. Stubbornly silent ; he is the manipulative and omniscient puppet master of Othellothat controls.